According to his jailhouse diary, GG Allin jerked off almost 100 times during his first 30 days in prison. It was 1989 and the outlaw scumfuck was accused of assault after he tortured a fan he met at one of his performances in Detroit. Over the course of several days, he had sex with the woman while she was handcuffed to a bed, burned her with cigarettes, and cut half-moon shapes with the jagged edge of a beer can on the bottom of her breasts. In his version of the events, it was a consensual act of outsider lovemaking. Big fucking deal. The good people of Michigan disagreed and sent the Murder Junkies frontman on an extended vacation to the Michigan Department of Corrections facility in Washtenaw County.
Enjoy Freaks!pre-order the book HERE.
And that’s where we find GG Allin in the hardcover, glossy, limited-edition smorgasbord of thoughts, drawings, missives, and ideas titled My Prison Walls, to be released in July by Aggronautix. Diving into the studied chaos of Allin’s thoughts while he was holed up in the clink might be the best way to commemorate the 20th anniversary of GG’s death. And it’s a blood-splattered ride. Here’s a few excerpts from his handwritten prison journal, “30 Days in the Hole,” and some drawings that he and a few of his favorite serial killers made.
It’s hard to exaggerate the importance of Black Flag to underground music. They pioneered a touring style that is standard for bands today, plus they basically invented hardcore, or at least set the standard for it. Their four bar logo has achieved almost Che-like status in pop culture iconography, but it manages to remain cool and underground at the same time – as Ebersole puts it: “look closely at those four rectangles and you will see a cute little waving black flag representing “ANARCHY;” the stateless state; a DIY politic. No Gods and No Masters, as they say!” I can’t tell you how many people I know or have met who have inked that logo somewhere on their body. With Barred For Life, Stewart Dean Ebersole has put together a photo documentary of how Black Flag has touched people’s lives – literally in the form of tattoos. Interspersed with photos of people he and photographer Jared Castaldi captured along their six years of travel in North America and abroad, Ebersole tells the story of being a punker of the 80′s in America, and how Black Flag figured in punk rock lore of the time. The result is rad to look at and a captivating read, and also includes in-depth interviews with Dez and Chuck. I would wager at least half of you reading this have a Black Flag tattoo on you somewhere, and you know you’re not alone! Check out some of the rad portraits below, and head over to the Barred For Life facebook page here and get your own copy here!
What would happen if one of your favorite bands got trapped inside of an Alice In Wonderland fantasy world? You would end up with the 1984 play-at-home special featuring Siouxsie & The Banshees alongside Robert Smith telling some bugged out children stories. Hearing each band member speaking through their inner child is pretty awesome! Within the chapters, you will see some outstanding Siouxsie & The Banshees videos. If you have young children who like good music, this is a perfect video for both you and them…Now watch The Banshees do their thing in fantasy land…
“The darkling plain is here. This is the waste land: England, America, Russia, China, Israel, France …. And we are here as victims, or as spectators, or as perpetrators of tortures, massacres, poisonings, manipulations, despoliations.” –Fredy Perlman
If you want to talk about reads that hold, within mere pages of paper, the power to fill you with disgust, bring you to tears, and change your life, Fredy Perlman‘s essay Against His-story, Against Leviathan! is one such read. I’ve read it countless times now, and every read resonates deeply within the core of my being in a new way each time. AHAL! is more or less like “The Rise of Human Civilization 101.” Perlman goes over the rise and fall of human civilizations, and gives gut-wrenching explanations on how they each have impacted our birth in the belly of an artificial beast, Leviathan, who thrives on the disconnect between man and natural world. This essay was written by Perlman in 1983 and served to shape anarcho-primitivist thought.
The Baphomet sigil has become one of the most ubiquitous symbols of the “dark side” in our culture today, second only to the inverted cross. It adorns our bodies in the form of jewelry, t-shirts, leggings, hats and other clothing good or bad. It’s almost like the Che Guevara of metal – people who have no idea of its meaning or history plaster it all over themselves. In the interests of staying informed about one of the most important images in metal culture, check out the informative essay about the history of the Baphomet below, taken from Angelfire.com, home of the Joy of Satan Ministries. They outline its pagan roots, ties to Christianity through the Templar and the Inquisition, and it’s evolution as the logo of the Church of Satan. It’s a good read and for some of you may be enlightening about this almost “pop culture” symbol.
Text & Mix via Noisey
If there was any music that articulated the feelings of hatred towards Margaret Thatcher in the early 80s, it was anarcho-punk. Fiercely underground and independent from the rest of the music business, the genre was a grass roots movement that delivered on punk’s original promise to actually be politically threatening.
Over thirty years on, it’s stronger than ever, with more bands taking up the torch and citing anarcho-punk as an influence. Chris Low was there at the beginning, drumming for a number of the seminal acts while barely into his teens, with his current band, PART1, scheduled to make their first reformation show at Rebellion, the world’s largest punk festival, this summer. Following a year playing anarcho-punk DJ sets in Tokyo, Low’s compiled a monster mix of his favorite tunes and answered a few questions about the whole thing. Scroll to the bottom for the tracklist too.
One of my favorite fanzines/magazines ANP QUARTERLY has a new issue out with an article entitled “L.A. Punk Gangs of the 80′s”. Honestly this is the first time I have ever seen a publication tackle this part of the L.A. hardcore movement. It’s a very interesting and insightful read, and I’m glad ANP did this feature, it brought back a lot of memories. I wanted to shed some light on the Suicidal Boys part of the article because this is the scene that I was a part of when I first found punk rock. Usually people always talk about how violent we were, but they leave out the huge amount of kinship we had with one another. We had a central meeting place, which was Mar Vista park, where we would meet up before shows and down beers. Also this park served as the place were the Suicidal softball & football leagues would play ball. Somedays we could also be seen at Penmar playing golf with the Suicidal golf club or at the bowling alley with the Suicidal bowling team. For me it was more of a band of brothers than it was a gang. That being said, many of us did have older brothers that were a part of the local gangs, plus being from Venice we were taught to represent our hood! Many of the kids that were in our scene had known each other since the first grade, so of course as we got older we had each others’ backs. More than the shows in Hollywood, it was the house parties where the real fun would take place. I’m talking about kegger parties that would feature live performances from Suicidal Tendencies, No Mercy, Beowulf, Neighborhood Watch and Chaotic Noise; these were priceless events. When we did go to shows, we did not fuck with people unless they fucked with us. If someone called us out of name they would have to pay the price. The down side to growing up in this environment is that some kids actually did join gangs and went down a path that led them to prison. On a personal level, I realized punk was bigger than just the people around me, and I started listening to Crass and bands that opened my mind. I’m glad that I did not just close myself off to the broader punk scene, because I would have missed out on a lot! I’m way happy that ANP QUARTERLY did this article, because this was an era that has been forgotten about by many. Go to pages 57 through 67 to read “L.A. Punk Gangs of the 80′s”…much respect to everyone who took photos back then!..All of the madness is after the jump.
A few weeks ago I wrote an impassioned post about Hugo Chavez’s death, making some sweeping statements about what he contributed to both Venezuelan society and Latin American society without backing them up with facts. Well luckily other people do their research before they express their opinion publicly, and below I have reposted a very intelligent account of Chavez’ legacy and why North American governments and mainstream media are slobbering to take him down, even post-mortem. So please read on, and be assured that although Chavez is no longer with us, he has inspired many, many revolutionaries in his wake…
Chavez and the Latin American Spring: This is what democracy could look like
By Murray Dobbin via Rabble.ca
One of the many things that Hugo Chavez, the charismatic and revolutionary president of Venezuela contributed to the world, was his demonstration for people everywhere the difference between democracy and liberal democracy. Chavez’s hyperbolic style, his tweaking the tail of the Imperial tiger and his willingness to be just as ruthless as his U.S.-backed opponents, gave Western leaders and journalists lots of ammunition to demonize him.
But what really made them all crazy was precisely the fact that he took liberal democracy — the term applied to a political system designed to manage capitalism in the interests of the wealthy and corporations — and turned it into genuine democracy. It highlighted for those struggling for social justice that liberal democracy is an oxymoron — liberalism being the principle that capitalism (inequality) rules and democracy being its opposite: equality. As witnessed by the outrageous levels of inequality now characterizing Canada, you can have one or the other but not both.
Nothing threatens leaders of the Western powers — especially the U.S. — like good examples of real democracy and they will do anything to destroy them, demonize them or threaten any other country that dares think about emulating them. No example is too small to destroy as was witnessed by the 1983 U.S. invasion of Grenada (population 110,000).
The strategy was called “destroy the dream” — which explains, perhaps, why U.S. troops totally destroyed a rural, all-women jam-making co-operative. In the 1980s it was Nicaragua. There they forced the Sandinista government to change its system of electoral democracy from a constituent assembly (made up of elected representatives from all sectors of society) to a multi-party system that the elites could control. The result: the Sandinistas lost.
Story via Highsnobiety
Writer Sam McGuire presents an eye-opening profile of skateboarder Hillary Thompson for Jenkem Magazine that captures the ever-changing obstacles that those in the LGBT face in the world of sports. Noting the struggle of being true to herself, the editorial spans many of the universal human emotions that sports offers and notes “many times, when people transition they feel the need to shed previous gender habits. Some people do it for survival and some out of societal pressures but Hillary’s desire to skate helped her ignore all of this and she picked up her board again.” While a choice excerpt appears after the jump, head over to Jenkem Magazine to read the enthralling editorial in its entirety.
Text Written by Mike Hill of TOMBS
At some point, I saw the Tony Scott, vampire movie called “The Hunger” which features David Bowie and Catherine Deneuve, but more importantly, it featured an intro sequence with Peter Murphy singing “Bela Lugosi’s Dead” and a whole other layer was added to my musical obsessions. My main fascination with metal and most of the hardcore punk bands that I enjoyed was the “darkness” element. Sabbath and Slayer incorporated overtly Satanic themes into their music which I later discovered were more theatrics than actual believe, but at the time it seemed real and a little frightening to me; it added a feeling that you were discovering something forbidden.