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Art

Bobby Cochran
Apocalyptic BluesArtMusicNeo FolkPhotography

All Photos and text by Bobby Cochran Los Angeles-based Chelsea Wolfe makes a style of music that’s hard to pin down, ranging from eerie folk, to dark electronic, to dirgy doom metal, and everything in between.  Though it’s diversity, it maintains a thread of continuity that defines it as uniquely

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static1.squarespace-1
Apocalyptic BluesArtAvant GardeFeaturesMixtapesMusicPhotography

Via THE BRVTALIST Oliver Ho is a man of many hats – producing and releasing music under several monikers like Broken English Club, Raudive and Zov Zov (his duo with Tommy Gillard), thus allowing him to experiment with different kinds of music, going beyond the known post-punk and industrial influences. He consistently explores other sides

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FEAT_crime
ArtCvltureHistoryPhotography

I’ve looked at a lot of crime scene photos since starting this blog (ok…maybe before that, too), and I think these ones from 1920s NYC might be the worst I’ve seen yet. There’s something in the stark lighting that makes these look almost unreal; the scenes of terror frozen in

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feat-sumac12
ArtAvant GardeDoomFeaturesInterviewsMusicPhotographyPost Rock

Text and Photos: Brian Sepanzyk When Nick Yacyshyn told me where SUMAC was going to record their next album, What One Becomes, the first thing I thought was, ‘Someone needs to document this.’ Nick sent me a text with a link to a place called the Unknown: an old church that has been

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Ray Stevenson
ArtCvltureDeath RockHistoryMusicPhotography

Siouxsie Sioux is someone who has inspired me with her fearless musical creativity and genre-defying sounds, as well as her iconic sense of style that helped to define what we know now as deathrock and 80s goth. The Banshee’s band manager, Nils Stevenson – road manager of the Sex Pistols – brought

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FEAT_IMAGE_JANSAUDEK
ArtPaintingPhotography

Jan Saudek was born in the legendary city of Prague in 1935. He lived a controversial life for his time; his biographical notes on his site are a strange read, with reminiscences like, “1950 – I penetrate a woman. But only for a moment. I have to wait a good three years

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