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Death RockFeaturesInterviewsMusicPost-Punk

Now returned from an action-packed two week tour across Europe to promote their new Deviances album, deathrock band Virgin In Veil took the time to discuss their music and the tour with us. Virgin In Veil boasts a strong lineup: Jacques Staph on vocals/bass (Masquerade, Secular Plague, ex-Sleeping Children), Suzi Sabotage (Masquerade) on synth/backing

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Death RockFeaturedInterviewsPoetryPost-Punk

Introducing …The WraithDavey Bales, formerly of Richmond punk and postpunk bands Lost Tribe and Shadow Age, has recently released a chapbook of poetry, “Dead Flowers,” currently hosted online at Future Blondes’ Fantasy 1 Records’ website with a hard copy version recently released. Bales is also singing for new Los Angeles

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Reggy van Oers (RVO) is an excellent prolific producer and DJ from the Netherlands. His experimental grasp on electronic music is stunning and has yielded a series of great albums, with the latest instalment being his debut full-length Taciturn Manner. In this interview, we discuss his new record label, Telemorph, the

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Interview & Photos by Teddie Taylor The past year for Skeletonwitch has been busy: a new singer, new songs and new tours. After announcing that Wolvhammer’s Adam Clemans would be taking over vocals, they released The Apothic Gloom, a four-track EP where the band showed that more than the just

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Teddie Taylor
ArtAvant GardeBlack MetalFeaturedFeaturesHardcoreInterviewsMusicPhotography

Interview & Photos: Teddie Taylor Oathbreaker surprised everyone when their latest album began with clean, acapella vocals. Rheia is in a category of its own, showcasing an expanse of various sounds the band has never before fully explored. The Belgium-based group, only having toured America twice before since their 2011

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80s HardcoreFeaturedFeaturesInterviewsMusicPost-PunkRaw Punk

After thirty years, Boston area punk band The Proletariat has returned to play several dates celebrating the recent reissue of their landmark 1983 Soma Holiday LP on Ss Records. Although the album was released at the height of the original US hardcore movement, it did not hew to the conventions

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