Jeremy from The Brvtalist interviews Lord Time Lord Time Mandatory Human Livestock Reduction + Q&A Perhaps a harbinger of pain, Lord Time emerges again and releases what could easily be described as the most brvtal release of 2016. The solo project of Los Angeles-based Andorkappen, Lord Time now offers
Chris Jarman has had one hell of a ride in the experimental electronic scene. Starting off as a session musician, participating in numerous records through the years, he entered the drum and bass scene first with Raiden and soon enough with Kamikaze Space Programme. In this interview, we discuss with
Earlier this year, Wyoming’s Reproacher unleashed its third full-length, Nature’s Bastard. The LP finds bleakness from multiple angles—gratingly metallic hardcore, abrasive changes, whirlwinds of grind, and hopeless sludge. This is Wyoming in aural form. I grew up in the sparsely populated state, which has one of the highest suicide rates
Your last record, People, when you see the smoke, do not think it is the fields they’re burning (2015), has a really different sound, much less “conventional” than your first albums (Monologue and the splits), sounding like an evolution of Har Nevo (2012). Do you agree with that? And was this a conscious decision,
Your Europe tour just ended. How did it go? We’ve known Elder for years and they’re good friends, but the tour was booked for us to fail. We actually fired our booking agent a couple weeks before the tour began, but we wanted to go and we already bought the flights.
Denver’s Of Feather and Bone are among the hardest working acts from the Southwest around right now and last year saw the release of their inaugural full-length, Embrace the Wretched Flesh on Good Fight Music. A 10 song onslaught of bombastic crusty grindcore, the LP was handily among 2015’s heaviest