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Interviews

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On Sunday, November 1st, the sixth edition of Dreams Were Made For Mortals comes to the St. Vitus Bar in Brooklyn. This one day art event showcases the work of some of the underground’s most interesting artists. Check out the second in our 2-part interview series with some of this year’s

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ArtEventsFanzinesFeaturedFeaturesFilmGraphic DesignIllustrationInterviewsMusic VideosPhotography

On Sunday, November 1st, the sixth edition of Dreams Were Made For Mortals comes to the St. Vitus Bar in Brooklyn. This one day art event showcases the work of some of the underground’s most interesting artists. Check out the first in our 2-part interview series with some of this

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FeaturedFeaturesHardcoreInterviewsMusicNoiseNoise RockStreaming

If you’re the type of person who loves gritty, filthy, scummy music – be it nasty hardcore punk, degenerate power electronics, grimy noise rock, whatever – chances are you’ve heard the news that Austin, TX-based smut mongers, Total Abuse, have a new LP dropping this year. So, I got in touch with Rusty Kelley, the band’s frontman,

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ArtFeaturedFeaturesInterviewsPainting

Photos by Nathaniel Shannon A few of your pieces seem to focus on the urban environment and condition. Good Day to Die, Terminal Waves Brown Sky in particular grabbed my eye when looking over your stuff.  Being based in New York City, has this sprawl of concrete and asphalt shaped your mindset to

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Apocalyptic BluesDoomFeaturesInterviewsMusicSludge

One of the most impressive forces in the Finnish extreme metal scene are undoubtedly Dark Buddha Rising. The prolific ambient drone/doom/sludge act releases its sixth full-length, Inversum, which features two tremendous sonic offerings. Catching up with Vesa (guitars, vocals), we discuss the origin of Dark Buddha Rising, the themes that appear

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Avant GardeInterviewsMusicNoise

With Author and Punisher‘s most recent album Melk En Honing, the industrial-strength goliath melding machines with their maker, Tristan Shone, continue to broaden the limits of where this project’s sound can go. I caught up with Tristan before he left for a headlining tour (dates below) to talk about the new

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Black MetalFeaturedInterviews

One of the things New York City is known for is the different feel and vibe that every neighborhood has. The city itself shifts cultures and tones between every block and avenue. You grew up on the Upper East Side of Manhattan, a section of the city – and I

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DemosFeaturedFeaturesHardcoreInterviewsMusicPost-PunkRaw PunkStreaming

Crawling out of the seemingly endless river of moods that is the Portland post-punk scene comes Steel Chains. The refreshingly melodic and melancholy quintet brings back driving ’77 vibes to an audience still desperate for female representation. Everyone perfectly serves their role as the veterans keep the newbies in line

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Death MetalFeaturedFeaturesInterviewsMusic

Veterans of the Greek death metal scene, Soulskinner released their third full-length album Crypts of Ancient Wisdom last October. In this interview, I am catching up with Bill (guitarist) to discuss their newest album, its inception and production, as well as the current activities in the Greek extreme metal scene

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FeaturedFeaturesHip-HopInterviewsNoise

There’s little pleasure to be had interviewing artists in the spotlight. The most pressing questions have already been asked, and the interesting answers have already been given. The fun is to be found by interviewing those artists in the shadows; the bastions of the avant-garde and the unsung heroes of

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FeaturedInterviews

‘Guitar and Pen’ interview #1 – Robert Williams interviews Mark ‘Barney’ Greenway, vocalist and primary lyricist from legendary grindhammers Napalm Death Tired of the blurb/gloss ‘advertisements-for-the- latest-release’ much of music writing seemed to have become, SIEGE drummer/lyricist and music and cvlture correspondent Robert Williams embarked on ‘Guitar and Pen,’ an interview

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Death MetalDoomInterviews

Hails, Gateway. I’d like to congratulate you on behalf of the Cvlt Nation following for a record well done. The first impressions that strike me when I hear the new record is the sheer weight of the guitars and the deeply bellowing vocal descants. Tell us, are you pleased with

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