Give Me The Cure!
FUGAZI 1988 Gilman Performance

This is classic on so many levels! A very young FUGAZI performing at the Gilman in

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Tree of Death…
BRIDE “Moonchild” Review + Stream

Moonchild is the debut release from the mysterious Pennsylvanian project Bride, out on Black Angel’s Death

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Heavy Hour ((((((12)))))) Featuring Noothgrush, Incantation, Mortuous, Alaric & more -

Noothgrush is the best Sludge Band in America. They have been crushing eardrums for over 2

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New FVNERALS Video “The Oath”

Late last year, we premiered the new album from the UK band FVNERALS entitled The Light,

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Exclusive
CVLT Nation Streaming: STRANGEWEATHER s/t LP

STRANGEWEATHER’s self-tilted album that is coming out on 1859 records is PERFECT! How would I describe

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CVLT Nation Interviews: Scott Kelly

Hi Scott, and many thanks for taking the time to do this interview with CVLT Nation.

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Un-Fucking Real Performance!
At The Drive-In 2001Bremen
Full Set Now Showing!

Peep this: At The Drive-In killing shit in Bremen, Germany in 2001, captured by our comrade

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CVLT Nation Interviews Dorthia Cottrell + Stream

Hi Dorthia! Firstly, thank you very much for finding the time to do this interview! It

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Dorthia Cottrell – Self-Titled Album Review + Stream

For fans of heavy music, the name Dorthia Cottrell is definitely familiar. The singer of the

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New DREADLORDS Video
“Dreadlords Cometh” Now Showing

So what band put out one of the most original albums of 2014? I’m about to

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Exclusive
CVLT Nation Streaming:
SLOWS DOWN “In My Room”

Driving through the countryside of England was fun, because I would stare out of the widow and see rolling hills that seemed to go on forever. This would allow my imagination to expand and wonder off to places that were new for me. After being in the UK for so long, I would forget that it was raining and the love from my friends would brighten my days.

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Exclusive
CVLT Nation Streaming:
Abstracter’s – Wound Empire + Review

The music of Abstracter always seems to have an underlying melancholic tone, which is mainly derived from their use of ambiance. In tracks such as “Open Veins,” this aspect of the band becomes instantly apparent, without meaning that melancholy is the only weapon in their arsenal. The manner in which they build up anticipation with the creeping start of “Lightless,” and the more unearthly perspective of Abstracter in songs such as “Cruciform,” reveals the depth to which this act can travel in terms of sonic versatility.

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