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Apocalyptic Blues

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80s HardcoreApocalyptic BluesBlack MetalBlackened CrustCrustDeath MetalDemosDoomFeaturedFeaturesFilmGrindcoreHardcoreHip-HopMixed MediaMusicMusic VideosNoisePost-PunkPower ViolencePsychshoegazeSludgeStreaming

These were my favorite recordings that were released in 2014. Listed in reverse alphabetical order covering a variety of different artists creating Death Metal, Hardcore Punk, Trip Hop, Underground Rap & Indie Rock. Wreck and Reference – “Want”, (((Experimental Duo from Davis/Los Angeles))) Witchrist – “Vritra”, (((Primitive Death Metal Ooze

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Apocalyptic BluesFeaturedMusic

Are we Chelsea Wolfe fans over here at CVLT Nation? The answer is yes! Check out this really cool performance she gave last year at WXPN Studio’s entitled “Chelsea Wolfe Folkadelphia Session.”

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Apocalyptic BluesFeaturedMusic

Let’s get this out of the way beforehand: Once I was contacted to review this record, and upon seeing Philadelphia’s Ladder Devils, I noticed at the bottom that they describe their sound as “…the punk urgency of Nirvana with the sonic experimentation of The Pixies,” which is a pretty damn bold statement all around. But the truth is that the Ladder Devils do deserve to compare themselves to those bands, along with a few others, because they absolutely talk the talk and walk the walk with this record.

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Apocalyptic BluesFeaturedMusic

Nature, Magic, Beauty, Enchantment and Ancient Lands are some of the words that come to my mind as I listen to the the new majestic Anilah & Wardruna song “Warrior (Revisited)” on repeat. This 11-minute composition is a soaring ritualistic anthem that will speak to so many parts of your

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Apocalyptic BluesFilmFull SetsMusic

I can’t speak for you, but music like GODSPEED YOU! BLACK EMPEROR is what I need to hear on a grey day. Better yet, they create the kind of music I need to hear almost every day!

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Apocalyptic BluesBlack MetalDeath RockFeaturedMusicReviews

These are busy people. This year alone, No One, Sam and Brian opened for black metal legends Watain at the Brooklyn Night Bazaar, collaborated with Mayhem’s Manheim and Hellhammer, put out a full-length album (Fury Nocturnus) and a compilation (Pennhurst/Xesse) under the Total Occultic Mechanical Blasphemy (T.O.M.B.) moniker, plus another

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Apocalyptic BluesDoomFeaturedMusicshoegaze

Label:Throne Records  Release Date: Dec.1st December is always a depressing month, so it’s the perfect time for the Brighton trio called Fvnerals to drop their debut full-length, the Light. They weave their web using synths, drums, guitar and vocals, making them emotionally heavy, like back when Micheal Gira would let

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Apocalyptic BluesFeaturedMusic

One rainy day on Last Fm, the dark gods of the inner webs said that if I like Chelsea Wolfe, then I might like Esben and the Witch. So to appease these gods, I gave it a listen. While I liked what I heard, the gods were only partially right.

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Apocalyptic BluesFeaturedMusic

Sometimes you just wanna trip balls. Sometimes you just wanna space out. Sometimes you just wanna travel with your mind as far as it will go and get lost in the kaleidoscope of existence, sink in the infinity of space, and lose yourself in the arms of eternity. Sometimes you

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Apocalyptic BluesFeaturedMusic

CAUDAL is a “trance punk” band from Berlin, Germany,  formed by Aidan Baker of Nadja on Guitar, Gareth Sweeney of Gout on bass, and Felipe Salazar of Muerte En Pereira on drums. The band plays a very minimalistic, repetitive, solemn, explosive and enveloping form of kraut rock that uses the propulsion and overdrive

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Apocalyptic BluesAvant GardeBlack MetalDoomFeaturedMusicReviews

If you ever wondered what Negative Plane would sound like with a little occult rock slant on their vocals and a touch of goth at the edges, then Occultation will tick all those boxes for you. While that’s a very basic premise, and one that only just grazes the periphery

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JR Robinson
Apocalyptic BluesAvant GardeDoomFeaturedMusicReviews

Last year, JR Robinson, under the pseudonym of Wrekmeister Harmonies, unveiled his second record (and first for Thrill Jockey), You’ve Always Meant So Much To Me, a painfully misleading title for what turned out to be a morose and unsettling intersection between the avant-garde and doom metal. Now we’re staring

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