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Crust

CrustDeath RockMusicPost-Punk

(Note: This interview first appeared at the No Doves Fly Here site a few months ago.) The Bay Area’s Alaric have received positive attention on CVLT Nation before; their recent split with Atriarch, reviewed here, was amazing. Members have played in such great bands as Noothgrush, Dead and Gone, and

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CrustDeath RockDis-beatHardcoreMusicPost-Punk

What would it sound like if Killing Joke and Motorhead had collaborated in 1982? You know, when Killing Joke were working on their apocalyptic, postpunk Revelations LP and when Motorhead were coming off the ungodly high of having finished their Ace of Spades masterpiece? You could argue that Montreal’s The

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CrustDeath RockDis-beatMusicPost-Punk

Last year, the late Kenn Kroosaficks reviewed Deathcharge’s debut LP, Love Was Born to an Early Death, here at CVLT Nation. “Deathcharge unleashes a new, but familiar brand of gloom-and-doom deathrocking gothic punk to the masses,” Kenn wrote. The following interview with Deathcharge founder and singer Adam Nauseam is a

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CrustDis-beatHardcoreMusic

by Oliver Sheppard This is an interview I did with World Burns to Death in 2003. It was something I originally meant for a paper zine I was going to do, but I ended up putting it on a website I started (and which no longer exists). CVLT Nation is

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CrustDeath RockDis-beatHardcoreMusicPost-PunkUncategorized

Since 2005, Cross Stitched Eyes have been dishing out a viscerally compelling, deathrock-tinged take on hardcore punk. Their new Decomposition LP — out on Alternative Tentacles May 1 — incorporates elements of Amebix, Rudimentary Peni, and Killing Joke into the band’s consistently aggressive sound. Decomposition is a fiery and thoughtful

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