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Death RockFeaturesMusicPost-PunkTour Dates

It’s hard to believe that Los Angeles, California’s Fangs on Fur have existed almost 6 years to the day, having formed in 2006. The band plays an aggressive, old school type of deathrock with female vocals, recalling early California deathrock groups like Red Scare, the Superheroines, and punk bands like

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Death RockFeaturesMixtapesMusic

The first “Deathrock 2012” mixtape (which is here) was so popular I thought we’d do it again! Included here are some new bands I overlooked last time (The Now Dead, Funeral Parade, Population), some different tracks by bands already featured (Crimson Scarlet, Arctic Flowers, Cemetery), and, still continuing with the

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CrustDeath RockDis-beatHardcoreMusicPost-Punk

First there was the d-beat crust of Born Dead Icons, whose 2003 Ruins LP is some sort of d-beat/crust masterpiece. Then came the “post-d-beat” punk rock of The Complications, a band on Feral Ward that I interviewed for CVLT Nation, here. Now, from ex-Born Dead Icons and Complications members, comes

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Death RockHardcoreMusicPost-PunkReviews

Arctic Flowers’ Reveries LP (Inimical Records) was easily one of the finest punk records of 2011. With a new EP, “Procession,” coming up in advance of an East Coast tour in August, things are going good for Arctic Flowers. The Portland quartet play a type of gothy peace punk that,

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ArtDeath RockIllustrationMixed MediaPaintingSculpture

by Oliver Sheppard Christopher “Ilth” Erickson has sung for Chicago punk bands like the Functional Blackouts and Daily Void; the latter was a band that was often compared to Rudimentary Peni. Nowadays he plays bass in the dark punk band Cemetery. What fans of these bands may not know is

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Apocalyptic BluesMusicNeo Folk

King Dude’s new two-song single is amazingly retro. I loved Love (pun intended), King Dude’s 2011 release that made CVLT Nation’s top neofolk LPs of 2011 list. “You Can Break My Heart” is a more stripped-down, Leonard Cohen-esque approach to songwriting.

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