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Black MetalDoomMusicNoiseReviewsSludge

Cavernlight begun as the completely personal project of Scott Zuwadzhi and Adam Bartlett, with only the desire to create fine dark, atmospheric music and with no need to take the band live or record any music. Thankfully that mindset did not last, and nine years after their inception the band

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Black MetalFeaturedIndustrialMusicNoiseReviews

In 2014, american were releasing their debut album, Coping with Loss, through Sentient Ruin Laboratories, combining black metal and sludge with a noise and industrial perspective. This has not been a new trend in extreme metal, with acts like Full of Hell and The Body performing similar alchemical experiments. In

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Death MetalFeaturedReviews

Scene veterans of countless revered acts including Aldebaran, Nightfell, Vassafor, Ritual Necromancy, Ascended Dead amongst others, in Weregoat guise, these musicians are brutal bar none.  Bestial black/death metal with big hooks will always be premium for underground fans, and I am also likely to concur with initial feedback from other

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Black MetalFeaturedGrindcoreMusicNoiseReviewsSludge

There is a surge of extreme bands today that incorporate noise elements in their song structures, attempting to push the boundaries of what is sonically tolerable. Experimental sludge duo The Body have produced such excellent specimens, as have grind dissidents Full of Hell. However, it is Endon from Tokyo that

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CrustDis-beatDoomFeaturedGrindcoreHardcoreMusicNoiseNoise RockReviewsSludge

French sludge-core abusers FANGE delightfully return with Pourrissoir – a new and incredibly foul long player of brand new songs that has swiftly followed the release of their inhumanly wretched full-length from 2016, Purge. Not much has changed in the Fange world in a little under a year, and that’s a good thing. Pourrissoir showcases once again

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Black MetalBlackened CrustDeath MetalFeaturedGrindcoreHardcoreMusicReviews

Forged from the remains of a great Athenian death/grind/hardcore act Straighthate, Dephosphorus have been on a rampage since the release of the Axiom EP in 2011. Choosing the label “astrogrind” to better describe their music, freeing themselves from the constraints of existing tags they have released some excellent works, especially

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