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Death MetalFeaturedFeaturesGrindcoreIndustrialNoiseReviewsStreaming

April 30th marks the debut release from Dagger Lust, a power electronics trio with blackened death and grindcore overtones from Portland, Oregon. This is 24 minutes of pure, primal filth. Wash hands before and after listening.  The band is somewhat elusive. The members going only by the short stage names

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Black MetalDeath MetalDoomFeaturedFeaturesReviewsStreaming

Hailing from the sweltering heat of Portugal, Summon unleash their nightmarish debut L.P, Parazv Il Zilittv, on 30th April via Iron Bonehead.  The death-doom trio started their hellish journey into the abyss back in 2016.  Their Aesthetics of Demise E.P came out last summer, also on Iron Bonehead.  Summon’s ‘Sepulchral death metal’ has a character

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FeaturedMusicPost-PunkReviews

  Emerging from the darkness in early 2016 and spat out of their native Houston, Lace are a blend of vitriolic hardcore and bitter, abrasive post-punk designed to tear down the world around them. Bursting onto the scene playing a brand of aggressive, lo-fi hardcore, Lace began to earn fans

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Black MetalDeath RockDoomFeaturedFuneral DoomMusicReviews

As far as it concerns a certain style of occult-related, gloomy aestethics, Italy has no doubt a glorious tradition. The fascination for Italy’s dark side is deeply rooted in time (Horace Walpole’s The Castle Of Otranto, set in Apulia and conventionally referred to as the ancestor gothic novels, was published

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Death MetalMusicReviews

Abandon your sub-genre preferences for a second, Cvlt Nation maniacs! Gruesome old-school death metal is here to stay, and Sentient Ruin Laboratories has just released another classic example of the style care of Noose Rot’s EP, The Creeping Unknown. Only four tracks long, the release is fraught with doom downpicks

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HardcoreReviews

From members of HE WHOSE OX IS GORED, FUCKED AND BOUND have violently emerged as card-carrying hardcore polemicists. 20 or so minutes, 13 tracks, lyrical content that ranges from hash tag invectives to wage slavery dirges to Cobain homages (“I’m a negative creep and I’m stoned”), and a palpable sense

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