Thou – Heathen Album Review + Footage

Thou, in a relatively short space of time, have become a sort of doom metal royalty. Perhaps it’s because they have been unnaturally prolific throughout the years, churning out a couple of full-lengths but bridging the gaps with several EPs and splits each time. Not only that but they’ve maintained a level of consistency and quality that was more than on par with their turnaround, a next-to-impossible tasks for many bands and this truly hit a zenith in 2010 with Summit.

In a strange turn of events, the sludge doom outfit went through 2013 without releasing a single record, the last contributions to their sprawling discography being split records with Hell and Kowloon Walled City in 2012. It was common knowledge that the band was working on a new full-length entitled Heathen and the time spent crafting it has suggested that Thou had something special in gestation. Such surmising has proven true.

At over an hour and ten minutes, Heathen subscribes to the band’s usual modus operandi of sprawling and adventurous, albeit decidedly grim, sludge doom. None of Thou’s vitriol and vitality has been lost, still straddling a line between coarse doom and eerie melody. It’s a balance that they mastered many years ago but with Heathen they’ve shown to only excel further with it.

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Thou have also been dab hands at crafting scenes of great tension, ultimately leading to cathartic release. This is evidenced quite early on with the album’s opening salvo, ‘Free Will’, a 14 minute hefty jaunt that encapsulates much of what makes this record so striking. The title of the track too serves as a reminder that Thou have always marched to the beat of their own drum, abiding by their own free will. The track spends its first couple of minutes with faint rustling guitars slowly, of course, growing in strength and intensity, setting an uneasy tone that’s soon totally disrupted by a familiar hail of riffs and, most importantly, Bryan Funck’s distinct searing shriek. From there, ‘Free Will’ weaves in and out of doom-laden passages and pacier moments, hitting a particular peak at the midway mark with Funck laying down an almost “catchy” chorus-like call.

‘Feral Faun’ is another track that slowly etches its way into your mind with initially gentle and clam verses soon ruptured by walls of dissonance. Meanwhile, ‘At The Foot of Mount Driskill’, lodged in the album’s midway point, is where Thou are paced at their most lethargic, as if gasping for breath but knowing a lengthy trek lays ahead of them and this resurgence begins blossoming with some of the record’s most memorable slow-crawl riffs.

The album is also peppered with brief reprieves like ‘Clarity’ and ‘Take off Your Skin and Dance In Your Bones’, short serene passages that act as breathers in between each cataclysmic slab of doom, which create the interesting ebb and flow for the record but make no mistake, Heathen is mainly tasked with bile-soaked doom.

The grit and determination of Heathen is as you would come to expect from Thou at this seasoned stage of their existence where each note is steeped in fervor and aggression but also bleeding heart emotion that makes its listening almost easy to get lost in.

Photo:  Reid Haithcock / NPR
Photo:
Reid Haithcock / NPR

Heathen is closed off with the sprawling one-two of ‘Immorality Dictates’ and ‘Ode To Physical Pain’, two stunningly epic and grandiose compositions of enthralling doom metal that are more than up to the task of bookending this captivating record.

‘Immorality Dictates’ opens with a serene refrain of textured ambience and sparse guitars complemented by guest female vocals, almost occult in their presentation, that are hypnotic in tone and conjures a vibe of surreal magnetism and ghostly surrounds. Once again, the composition begins swelling into a wretched beast of monolithic grooving riffs, tinged with enthralling melodies and soaked in the misanthropic black metal-like rasp of Funck that eventually returns to its familiar beginnings and the lyric “And you know that I love you” plays out to close in an unnerving fashion. This of course leads us into the last torrent of ‘Ode To Physical Pain’, gathering together each of Heathen’s most valuable traits, coalescing all into one last impressive outing – an 11 minute towering behemoth of doom as piercing riffs abound.

Where Summit was arguably Thou’s shimmering moment in the sun and their finest record to date, Heathen has taken the task of following it up with aplomb, adding new layers and avoiding any pitfall of rehashing too many tools that have proven to work well in the past. The end result is rather stunning.

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The Author

Jonathan

Jonathan

Jonathan lives in Dublin, Ireland and writes for various websites and publications, and blogs maybe a little too much.
http://thegrindthatannoys.blogspot.com/

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