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Death Rock

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by Oliver Sheppard Pinkish Black’s sophomore LP, Razed to the Ground, is set for release on September 17. The Fort Worth band’s first and self-titled LP (which was reviewed for CVLT Nation last year, here) was on Denton’s Handmade Birds label; the new album sees them on the larger and

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Death RockDis-beatHardcoreMusicPost-PunkReviews

(Note: This article originally appeared, in an earlier form, at Souciant.com, here. It is reprinted with permission from the author.) Manchester’s Warsaw changed their name in 1977 to Joy Division to avoid conflict with the punk band Warsaw Pakt. Coincidentally, that change served to mark the break between Joy Division’s

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Death RockDis-beatMusicPost-Punk

Anasazi: A little bit Virgin Prunes and a strong helping of Southern Death Cult — add in liberal amounts of Christian Death, nuke it all in a microwave for a few minutes, and the finished result might look something like this New York City cult-punk-cum-deathrock outfit. The brainchild of urban

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Death RockMusicPost-Punkshoegaze

One of the best products of the contemporary underground dark punk/postpunk scene, Portland’s Bellicose Minds’ debut LP, The Spine, has been a long time coming. Although it was recorded over a year ago, in June 2012, it has slowly trickled out to the masses via mailorder and smart independent record

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Death RockMusicPost-PunkReviews

The first track of the CD version of Troller‘s self-titled LP is called “Milk”; it’s nightmarishly gothic and genuinely creepy. Horror movie sound effects (or noises that remind me of horror movie sound effects) slash across a dreary landscape of synths and bass guitar, and after a slow build up

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Death RockMusicPost-Punk

by Oliver Sheppard Ottawa, Canada’s goth-punk duo Blue Cross have just delivered their third full-length LP, “Conspiracy,” in under two years – a remarkable feat, considering that many bands nowadays take years to release new material. Originally a side-project of street punk band Germ Attak, Blue Cross’ music explores more

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