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Death RockMusicPost-Punk

Often compared to “Queen of Siam” or “13.13”-era Lydia Lunch, San Antonio, Texas’s Guilty Strangers appeared on CVLTNation’s “Deathrock 2013 Mixtape, Part 2” earlier this year. Their 2012 “Oracle” LP evinced a mix of no-wave, deathrock, and postpunk along the lines of bands like Lung Overcoat, Executive Slacks, 45 Grave,

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Black MetalDeath MetalDemosDoomMusic

2013 has been a rather ridiculous year for Irish records, with a slew of releases coming out over the last 12 months that all deserve some place on this list but alas, it’s restricted to the number six. Honourable mentions must go out to debuts, full-length albums that lived up

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Masquerade from Finland
Death RockDemosMusicPost-PunkReviews

by Oliver Sheppard It was a hard field to narrow down to only 6, but here’s my take on the Top 6 deathrock/goth-punk/etc releases for 2013. At the end of the list are further releases that could have easily rounded out a Top 10 or Top 20 (CVLT Nation prefers

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Black MetalMusicReviews

Britain’s Caïna has returned to black metal; so declares Earth Inferno’s press sheet. After emerging from hiatus, seemingly concluding with the sublime Hands That Pluck, Andrew Curtis-Brignell’s Caïna began occupying a totally different musical realm with Litanies of Abjection, a record more in tune with Coil, Swans and shades of

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CrustDis-beatHardcoreMusic

If someone turns around and says Brazil and d-beat, the first thing that may enter your mind is Besthöven, to no surprise either. The one man band’s crusty onslaught is certainly one of Brazil’s finest punk exports, but in the last few years Deaf Kids have really been causing a

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Apocalyptic BluesMusic

Seattle’s underground scene, and its surrounding areas, appears to be in a state of vibrant health right about now with the likes of Bone Sickness, Breag Naofa and A God Or An Other all releasing quality music of late, touching on death metal, sludge and black metal – meaning the

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