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ArtDeath RockDis-beat

I find it very interesting when two powerful movements unify together to create an even stronger moment in history. This is what took place in the early and mid 80’s, when Anarcho Punk started to cross-pollinate with Post Punk and Deathrock. On a personal level, I found this time one

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80s HardcoreArtDeath RockIllustrationMusicPost-Punk

Although cult British anarcho-deathrock band Part 1 have already been covered in CVLT Nation, missing from the equation was an interview with the band’s founder, primary songwriter, and guitarist (and, in its late era, the lead vocalist, replacing Jake Baker). Mark Ferelli is a fairly reclusive visual and performance artist

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80s HardcoreDeath RockPost-Punk

For fans of dark punk music, The Mob need no introduction. During their initial run from 1977 to 1984 they released a string of influential EPs, worked with Crass, and left a legacy of heartfelt, if apocalyptic, punk rock, most notably in the 1983 LP Let the Tribe Increase. The

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Death RockPost-Punk

The Japanese deathrock and postpunk scene formed an important, but unique, parallel to what was happening in California and the UK throughout the early and mid-1980s. The stand-out bands from the original era of Japanese deathrock included, first and foremost, Phaidia (“the Christian Death of Japan”), but also Madame Edwarda,

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Apocalyptic BluesDeath RockMusicSludge

Pinkish Black are from Fort Worth, Texas. Their debut, self-titled LP on Handmade Birds is a crushingly heavy offering of alternately gothic sludge and ethereal psychedelia. The band are presented as a deathrock band, and I suppose a case could be made for that; influences like the Birthday Party are

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Death RockMusicPost-Punk

A couple of weeks ago, I wrote about ten newer deathrock bands that recently caught my attention. The list included Cemetery, Crimson Scarlet, Blue Cross, Tanzkommando Untergang, Anasazi, Dystopian Society, and more. A lot of the new activity in this area has been coming from bands with roots in the

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