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via The Public Domain Review By Nicholas Humphrey On 5 March 1986 some villagers near Malacca in Malaysia beat to death a dog, which they believed was one of a gang of thieves who transform themselves into animals to carry out their crimes. The story was reported on the front

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CVLT Nation presents our new Deathrock/Post Punk dance party mixtape series, Coffinmaker. Volume I features an hour of upbeat dirgy tunes from the past and present that will have you dancing for sure! For all those reading this in Vancouver, if you dig this mixtape then make sure to come

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There are many things that make me very happy to be a heathen atheist – celibacy, promise rings, creationism, the Westboro Baptist Church and the Phuket Vegetarian Festival. I did a post a while ago about this insane procession of devotees to the Chinese Nine Emperor Gods that happens in

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HEAVY Motherfucking METAL is what you are going to get when you blast the new SPELL record The Full Moon Sessions that hits the streets on April 19th via Hard and Heavy Records. This band kick out those jams that make you want to put the medal to the pedal

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Label:Crucial Blast T.O.M.B. (Total Occultic Mechanical Blasphemy) is one of the most creative and distinctive entities currently operating in the realms of black metal and noise, with a singular approach and a slew of releases including Black Crypt Worship, Sacrilegium, Macabre Noise Royale, Uncovered Ancient Gateways, and the forthcoming Pennhurst/Xesse

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The BLOODY HAMMERS are back and getting ready to release their new album entitled Under Satan’s Sun via Napalm Records. This band knows how to weave a sinister and beautiful web of occult rock with every riff they play. Now check out the new BLOODY HAMMERS visual for their song

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It’s always great to find albums of high quality from independent bands; it shows that musicians can still achieve an extraordinary level of production and musicianship on their own terms. At least that is the deal with the Greek band Allochiria, who take their name from a neurological disorder in

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Highlights from the illustrations in the 1665 edition of Fortunio Liceti’s De Monstris, originally published, without the illustrations, in 1616. Liceti’s work, although not the first on the topic of deformities in nature, was perhaps the most influential of the period. In the wake of the book there was a

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