If you know about chiptune already, the fact that people have been composing and playing music with Game Boys in the past 15-20 years will sound like no news for you. In case you’ve never heard this word before, note that we’re not talking about 8 bit videogames nerds: we’re
Fister’s last full length release featured one torturous track that spread itself like the bubonic plague across 45 minutes. Bell Witch did something similar last year, of course, although the latter’s even longer Mirror Reaper did have shades of white cushioned alongside the black. With Fister there is no white,
ILSA refuses to hold back on their debut for Relapse Records, Corpse Fortress. The D.C band’s 5th full length finds them continuing to hammer skulls in with the sheer density of their blown out brand of sludge. Dirty and squealing with feedback, something about their sound has always felt streetwise.
It is an interesting time for Electric Wizard, considering the different perspectives the band has presented in their past four full-length records. On one hand, they appear to be moving towards a more direct, rock-influenced mentality, highlighted with their efforts in Witchcult Today and Black Masses, while on the other
Ascending a Mountain of Heavy Light is a natural collaboration, not only because it is not the first time The Body and Full of Hell have worked together, but also due to the shared vision of these two extreme music pioneers. The aim of both bands is the expansion of extreme
HELL, the doom/drone/sludge entity, one-man project of M.S.W., appears to be in a state of re-discovery. Having released a number of albums since 2009, including their trilogy in Hell I, II and III, and participating in some exciting collaborations, the one with Mizmor standing out in particular, it now feels